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read moreIn a world saturated with true crime podcasts and dramatizations, Hulu's "only murders in the building" stands out not just as a clever whodunit, but as a genuinely funny and heartwarming exploration of loneliness, connection, and the unexpected communities we build around shared passions. It's a show that manages to be both a sharp satire of true crime obsession and a genuinely engaging mystery, anchored by a stellar cast and witty writing.
The series revolves around three unlikely friends – Charles-Haden Savage (Steve Martin), a semi-retired actor known for playing a detective on a long-forgotten TV show; Oliver Putnam (Martin Short), a flamboyant and perpetually broke Broadway director; and Mabel Mora (Selena Gomez), a young artist with a mysterious past. They all live in the opulent but aging Arconia apartment building in New York City. When a resident dies under suspicious circumstances, the trio, fueled by their shared love of true crime podcasts, decides to investigate and start their own podcast documenting their findings.
The Arconia itself becomes a character in the show. Its ornate architecture, labyrinthine hallways, and eccentric residents contribute to the show's unique atmosphere. Each episode peels back another layer of the building's history and the secrets hidden within its walls. From the wealthy socialites to the struggling artists, the Arconia is a microcosm of New York City, teeming with stories waiting to be uncovered.
What truly sets "only murders in the building" apart is its masterful blend of comedy and mystery. The humor is sharp and witty, often stemming from the characters' quirks and their interactions with each other. Steve Martin and Martin Short are comedic legends, and their chemistry is undeniable. They bounce off each other effortlessly, delivering lines with impeccable timing and physical comedy that is both hilarious and endearing. Selena Gomez, as the grounded and sardonic Mabel, provides the perfect counterpoint to their over-the-top antics.
But the show isn't just a comedy; it's also a genuinely compelling mystery. The writers cleverly weave together clues and red herrings, keeping the audience guessing until the very end. Each season introduces a new murder and a new set of suspects, allowing the show to explore different themes and characters. The mysteries are intricate and well-plotted, with satisfying resolutions that tie up all the loose ends.
Beneath the surface of the comedy and mystery, "only murders in the building" explores deeper themes of loneliness, connection, and the search for meaning in life. Charles, Oliver, and Mabel are all, in their own ways, isolated and searching for something to fill the void in their lives. Charles is struggling to reconnect with his former fame and find love. Oliver is desperate to revive his career and escape his financial woes. Mabel is haunted by a past trauma and unsure of her place in the world.
Through their shared passion for true crime and their investigation into the murders, they find a sense of purpose and connection. They form an unlikely friendship that provides them with support, laughter, and a renewed sense of belonging. The show reminds us that even in a city as vast and anonymous as New York, it's possible to find community and connection in the most unexpected places.
The show also cleverly satirizes the true crime podcast craze. Charles, Oliver, and Mabel are initially driven by their desire to create a successful podcast and become famous. They romanticize the role of amateur detectives, often overlooking the real-life consequences of their actions. The show pokes fun at the tropes and conventions of true crime podcasts, while also acknowledging their appeal. It raises questions about the ethics of true crime entertainment and the impact it has on victims and their families.
However, the show also acknowledges the power of podcasting to connect people and create communities. The podcast allows Charles, Oliver, and Mabel to share their stories and connect with a wider audience. It gives them a platform to voice their opinions and advocate for justice. The show suggests that while true crime obsession can be problematic, it can also be a catalyst for positive change.
Each season of "only murders in the building" offers a unique and compelling mystery. Season 1 focuses on the murder of Tim Kono and introduces the main characters and their podcast. Season 2 revolves around the murder of Bunny Folger, the Arconia's cantankerous board president, and delves deeper into Mabel's past. Season 3 shifts its focus to the world of Broadway, investigating the death of a pompous actor during the opening night of Oliver's new play.
Standout moments include the silent episode in Season 1, told entirely from the perspective of Theo Dimas, a deaf character; the elaborate fantasy sequences that showcase Oliver's theatrical imagination; and the numerous celebrity cameos, including Sting, Amy Schumer, and Paul Rudd. Each episode is packed with witty dialogue, clever plot twists, and memorable characters.
"Only Murders in the Building" is more than just a whodunit; it's a smart, funny, and heartwarming show that will leave you guessing until the very end. It's a masterclass in comedy and mystery, anchored by a stellar cast and witty writing. But it's also a show with depth and heart, exploring themes of loneliness, connection, and the search for meaning in life. Whether you're a fan of true crime podcasts, a comedy aficionado, or simply looking for a show that will make you laugh and think, "only murders in the building" is a must-watch.
With each season, the dynamics between Charles, Oliver, and Mabel evolve, deepening their bond and revealing new layers to their personalities. The writers have masterfully crafted characters that are both flawed and endearing, making them relatable and easy to root for. We see them navigate personal challenges, confront their pasts, and support each other through thick and thin.
The success of their podcast also brings new challenges and opportunities. They grapple with the ethical implications of their work, the pressure to deliver compelling content, and the constant scrutiny of their audience. The show explores the complexities of creating true crime entertainment in a responsible and sensitive manner.
In a crowded television landscape, "only murders in the building" has carved out a unique niche with its blend of humor, mystery, and heart. The show's enduring appeal lies in its ability to entertain and engage viewers on multiple levels. It's a show that you can watch for the laughs, the mystery, or the characters, and you'll always find something to enjoy.
The show's success has also sparked a wider conversation about true crime obsession and the ethics of true crime entertainment. It has raised awareness of the impact that these stories can have on victims and their families and has encouraged viewers to engage with true crime content in a more thoughtful and responsible way.
"Only Murders in the Building" has become more than just a television show; it's a cultural phenomenon. It has spawned countless memes, fan theories, and social media discussions. The show's characters have become iconic, and its catchphrases have entered the popular lexicon. It's a testament to the power of great storytelling and the ability of television to connect people and spark conversations.
So, if you haven't already, I highly recommend checking out "only murders in the building." It's a show that will make you laugh, think, and maybe even inspire you to start your own podcast (but hopefully not about real murders!).
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